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Showing posts with label JAVA ISLAND. Show all posts
Showing posts with label JAVA ISLAND. Show all posts

Dance Drama Langen Mandra Wanara

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HISTORY OF CULTURE |  Dance Drama Langen Mandra Wanara  | Langen Mandra Wanara is one form of dance dramas of Java that uses material Yogyakarta style classical dance tradition. Dance drama depicting the many Wanara (monkey) and serves as the entertainment is an outgrowth of an existing dance drama, which is sourced from Fiber Langendriya Damarwulan.

The Traditional Houses of the Majapahit Kingdom

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HISTORY OF CULTURE The Traditional Houses of the Majapahit Kingdom |The building of the Majapahit era manifold is also a symbol of his day, but here only be discussed form of the building only; the discussion was limited to residential buildings only. 

To know the ancient building was needed research resources, among others: 
1. Archaeological relics in the form of inscriptions, reliefs, miniature buildings, building foundations, ancient mosques, palaces and other ancient. 

The Tamansari Castle of Yogyakarta

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HISTORY OF CULTUREThe Tamansari Castle of Yogyakarta | One of the attractions that are mainly located in Yogyakarta Kraton Ngayogyakarta environment is Castle. Tourism is administratively located in the village of Park, the Palace District. Castle in the wake since Sultan Buwana I, founder of Ngayogyakarta and proceed by his successor, namely Sultan Buwana II. Ngayogyakarta established in 1755 after the agreement Giyanti, Mataram split into two, Kartasura and Ngayogyakarta. After that, at least in Java, there are two kingdoms, known as Pakubuwanan and the Sultanate. Castle is in the area Sultanate, located in the Beteng Ngayogyakarta.

Expedition Daendels: Street Lessons, Road Changes

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HISTORY OF CULTUREExpedition Daendels: Street Lessons, Road Changes | Traverse the dark shadow of the grove rows of tamarind trees across the hall bath time into the past. As if back to about 200 years ago, rediscover old artifacts on Jalan Raya Pos (De Grote Postweg) "homemade" Governor-General Herman Willem Daendels Dutch East Indies.

Tribhuwana Tunggadewi (Bhre Kahuripan)

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HISTORY OF CULTURETribhuwana Tunggadewi (Bhre Kahuripan) | According Kakawin Nagarakrtagama, in the year 1251 AD Saka/1329 the commandment of his mother, Gayatri Dyah, ascended the throne of Majapahit replace Tribhuwana Jayanagara, she accompanied her husband to rule Bhre Tumapel Dyah Krtawardhana. The reign of Tribhuwana an active period of territorial expansion of Majapahit. under his leadership also Gajah Mada say 'Palapa Oath', the ideals of uniting the archipelago, under the rule of the Majapahit Kingdom.

Terracotta Art (Clay) The Period of Majapahit

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HISTORY OF CULTURETerracotta Art (Clay) The Period of Majapahit | Traces the history of the kingdom of Majapahit relics scattered in-tinggalannya found in Mojokerto, East Java. There are many artifacts that can explain many things including the economic life of society. Terracotta, for example, or craft clay Majapahit era. Terracotta Art is one character in the Majapahit culture is very well known and many were found. The results of this art is known from tinggala-remnants are found either in the form of statues, water tanks, vases, flower vases, decorative roofs, tiles, walls, wells (prostitute), pitcher, or a piggy bank.

Padeglangan Kingdom of Banten (Keraton Surosowan)

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HISTORY OF CULTUREPadeglangan Kingdom of Banten (Keraton Surosowan) | Pandeglang, Surosowan Palace is a palace in Banten. This palace was built around the year 1522-1526 during the reign of the first Sultan of Banten, Sultan Maulana Hasanudin and reportedly also involve building experts from the Netherlands, namely Lucasz Cardeel Hendrik, a Dutch architect who converted to Islam who holds the Prince Wiraguna. 2m high wall around the palace area of  approximately less than 3 hectares. Surowowan like a solid fortress with bastions Netherlands (diamond-shaped corner of the fortress) at the four corners of the building. Buildings within the palace walls no longer intact. Leaving only ruins the walls and foundation rooms berdenah numbering tens of square.

Style of temple architecture in Java 8-15 M (Part II)

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HISTORY OF CULTURE | Style of temple architecture in Java  8-15 M (Part  II) After growing empire in the eastern part of Java, then the variety of religious activity was switched to the region. Shrine was later built by the time at the locations considered sacred to continue the tradition of Old Classics, such as at the confluence of two streams, upland areas and mountains, and near water sources (springs).

Cultural Ritual Ceremony Kasada Bromo

HISTORY OF CULTURECultural Ritual Ceremony Kasada Bromo | Bromo has a natural charm that is extraordinary, it will never run out our admiration by the beautiful natural scenery. Mount Bromo is derived from Sanskrit which means Brahma or a principal deity, Mount Bromo is a mountain that is still active and a very famous tourism object in East Java. Mount Bromo has a height of 2400 meters above sea level.

Trading Activities In The Community Of Old Javanese

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HISTORY OF CULTURE Trading Activities In The Community Of Old Javanese | Trading activity in the ancient Javanese society can be divided into two categories: local that took place at the village level, and regional levels covering large areas or long distances. The focus of the study of local trade is a market activity that usually follows the pattern beralngsung market day with a cycle of five days a week and are usually afraid to nyang goods of daily needs. An understanding of this is mainly obtained through the study of ethnographic and historical sources of Java. The general conclusion of trade patterns confirms that the local trading system did not change significantly since its recognition of this trading system until the mid-20th century.

Harjuna Wijaya - Bedhaya Dance

HISTORY OF CULTURE | Harjuna Wijaya - Bedhaya Dance | Scared, quiet and magical covered Bangsal Kencono. When the gamelan hitter playing slowly “Gending Ladrang Prabu Anom”, where accompanied the nine princes dancer who walked into the Bangsal Kencono wings no less then slow.  In the swaying of the dancers began to crouch into position to worship, respect the human symbol of God as Creator and make jengkeng worship to Sultan as the palace ruler.

THE INDONESIAN TRADITION PRAAKSARA

HISTORY OF CULTURE | THE INDONESIAN TRADITION PRAAKSARA  | Aksara is an ancient writings that provide the knowledge for the Indonesian people in history.And always be memorable as the ancestral human pre-history in Indonesia.



THE STORY OF MATARAM KINGDOM

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HISTORY OF CULTURE | THE STORY OF MATARAM KINGDOM | Mataram kingdom in Central Java with its core area called Mataram Bhumi. The area is surrounded by mountains and hills, such as Serayu Mountains, Mount Prau, Mount Sindoro, Mountain Cleft, Mount Ungaran, Merbabu, Mount Merapi, Kendang Mountains, Mount Lawu, Mount Sewu, Gunung Kidul. The area is also drained many rivers, including River Bogowonto, the Progo River, River Elo, and the largest dalah Solo River. The main livelihood of the people of the Ancient Mataram is agriculture, while trade issues received less attention.

THE STORY OF RAMAYANA

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HISTORY OF CULTURE | THE STORY OF RAMAYANA | Narrated in a land called nan Mantili there was a beautiful princess named Dewi Shinta. She was a daughter of the king of King Janaka Mantili. One day the King held a contest to get the Prince for his beloved daughter is Shinta, and finally the competition was won by Crown Prince Kingdom of Ayodhya, Rama, Raden Wijaya. But in this story there is also a king Alengkadiraja King Ravana, who also was in love, but not to the Dewi Shinta Dewi but he wanted to marry Widowati.

INDONESIA KINGDOM IS NOT YOU KNOW

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HISTORY OF CULTURE | INDONESIA KINGDOM IS NOT YOU KNOW | Indonesia is full of diverse arts, culture, and tourism as well as providing natural beauty, and to date there are still some things that in the case sustainability. Manypeople who do not really know about it, if you know the oldest kingdoms in Indonesia? only Kutai kingdom, Sriwijaya, Mataram and Majapahit Kingdom. there are other kingdoms unknown. these kingdoms are:

WONG OSING TRIBE

 

HISTORY OF CULTURE | WONG OSING TRIBE | Using Spare history begins at the end of the Majapahit rule around the year 1478 AD Civil war and the growth of Islamic kingdoms in particular accelerate the fall of the Majapahit Empire of Malacca. After his downfall, majapahit people to flee to some place, ie the slopes of Mount Bromo (Tengger Tribe), Blambangan (Using Tribe) and Bali. The closeness of this history is seen from the pattern of life which still implies Tribe Using Majapahit culture. Blambangan kingdom, which was founded by community Osing, is the last kingdom patterned like the Hindu-Buddhist kingdom of Majapahit. They strongly believe that even the National Park Alas Purwo is the last stop where the people who shy away from the rush of the Majapahit kingdom of Mataram.

In the history of Islamic Mataram kingdom was never plugged his reign over the Kingdom Blambangan, it is this which causes people Using culture has significant differences compared to the Javanese. Using the tribe has a large enough proximity with the Balinese, it is very terluhat Gandrung of traditional art that has similarities with traditional Balinese dances, including dances and clothing are also musical instruments. Another similarity is reflected in the architecture of the building between the Tribe and Tribal Using Bali which have many similarities, especially in the decorations on the roof bangunan.Puputan is the last war until blood efflux as a last attempt to defend themselves against enemy attack larger and stronger. This tradition has been sparked great battle called Bayu Puputan in 1771 AD WAR HISTORY BAYU are rare in the history of exposure by the media so it's like drowning.

In subsequent developments, after officials managed to move to Bali Majapahit and building the kingdom there, Blambangan, politically and culturally, to be part of Bali or, as termed by some historians, "under the protection of Bali". However, in the year 1639, the kingdom of Mataram in Central Java Blambangan conquer the assistance that is not even got a bit of Bali claiming heavy casualties; Blambangan not a few people were killed and discarded (Gde Haal, as quoted by Anderson, 1982; 75). In the power of this population Blambangan Mataram began Islamised, a lot of influence cultural development in the future in shaping the social structure and culture. Scramble Blambangan by Mataram and Bali continue and take turns until the end when the master had occupied Blambangan VOC in 1765.

Blambangan seem relatively less to show its strength, in the Dutch colonial period, he actually shows his perseverance against the dominance of VOCs. Battle after battle occurred between the people against the colonial Dutch Balambangan. Until finally culminating in a major war in the year 1771-1772 under the leadership of Mas Rempeg or Prince Jagapati known as Bayu Puputan war. This war has ravaged the people succeeded Balambangan and leaving only about 8,000 people (Ali, 1993:20). However, it seems people remain unyielding Balambangan. The wars of resistance, although smaller, continues to occur until decades later (1810), led by Bayu troops remaining, ie those who by the Dutch dubbed the 'people Bayu wild' (Lekkerker, 1926:401 - 402; Ali, 1997:9). Once you can destroy the fort Bayu, the Dutch government to concentrate in Banyuwangi and raised Mas Alit as the first regent of Banyuwangi.

Blambangan was never separated from the occupation and colonization outside parties, and in 1765 no less than 60,000 fighters were killed or missing Blambangan to defend its territory (Epp, 1849:247). Anderson (1982:75-76) describes that how the Dutch do not bertara cruelty while mastering Blambangan especially in the years 1767-1781. With reference to written records of Bondowoso Bosch, Anderson said: "This is probably the only one in the whole of Java that had once been densely populated which completely destroyed ...". 


Occupation and conquest that repeatedly turned out to actually make people more patriotic Blambangan resistance and have a very strong spirit. Cortesao, as quoted by Herusantosa (1987:13), referring to Tome Pires, called "the people Blambangan as people who have the nature of" warlike ", warlike, and always ready for combat, always wanted and tried to liberate their territories from other parties of power" . Scholte (1927:146) states: 

"History Balambangan very sad. Blambangan tribes continued to decrease since been killed by the forces of successive hit the area, such as the power of Mataram, Balinese, Bugis and Makassar, the robbers China, and finally VOCs. But the spirit of the people Blambangan never completely extinguished, and his descendants are now a nation of gallant tribe physical and personality as well as growing rapidly, hold fast to tradition, but also easy to accept the new civilization ". People Blambangan, such as those mentioned in various sources above, that which has been declared as a forerunner of Using wong or wong Blambangan remnants.